Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?
This guy. Take a good look - that is the moustache of a man with nothing to lose.
More like Julius Fuckit
for every note this gets i will read a page of homestuck
i hate this fucking website im not reading 45 pages of homestuck
"Also known as the ghost plant, Indian pipe, or corpse plant.
Unlike most plants, it is white and does not contain chlorophyll. Instead of generating energy from sunlight, it is parasitic, more specifically a myco-heterotroph. Its hosts are certain fungi that are mycorrhizal with trees, meaning it ultimately gets its energy from photosynthetic trees. Since it is not dependent on sunlight to grow, it can grow in very dark environments as in the understory of dense forest. It is often associated with beech trees.
The complex relationship that allows this plant to grow also makes propagation difficult.
The plant is sometimes completely white but commonly has black flecks and a pale pink coloration. Rare variants may have a deep red color.”
Can you imagine someone casting their first successful corporeal Patronus, but it comes out enormous and unidentifiable and it just keeps emerging out of their wand… everyone turns to watch, confused and concerned, and the caster just stares blankly at the Patronus until some nerd recognizes the shape and shouts, “Good lord, it’s a Blue Whale!”
step aside other fandoms
we’ve got evil snowmen
Ours is better.
How is that relevant to evil snowmen?
You”ll never know.
this post made my day
Egg gardens (・・?)
I got rainbow kingdom, then tutu forest then egg castle. Seems to be getting slightly worse the more times I do it. :p
UNICORN GALAXY FUCK YES
Crystal Kingdom yessssssss
1) Bromances are based on mocking and rejecting queerness — The entire joke about the SethRogen-JamesFranco bromances of the world is that they’re parodies of queerness. Literally, the humor is about making queerness the butt of the joke (so to speak). It’s funny when straight dudebros enact any kind of queer attraction entirely because it’s something they wouldn’t actually do in any serious way. Queerness is the joke because who would actually want to be queer right?
2) Bromances are used to queerbait. Queerbaiting is when people (like writers of TV shows) throw in an undercurrent of queerness or use homoerotic tension for the sole purpose of keeping queer viewers interested. For example, on a lot of TV shows, bromances can be both a running joke (see #1 above) and also a constant hope. Queer viewers, who are so used to not having any kind of central representation in stories, are baited with bromances in order to keep them hopeful that the characters could be queer, but the result is that they never are because queerness is bad for capitalism. Queerbaiting is cruel and is a huge problem.
3) Bromances enforce white supremacy. Bro-ness seems to exist in a constant space of parodying and mocking otherness. Not only is queerness mocked and then passed off as humor; bromances are frequently about safeguarding whiteness by mocking people of color. Going back to Seth Rogen and James Franco again, time after time the humor of their on-screen bromances comes from racist jokes. From Pineapple Express (don’t even get me started) to the recent parody of Kanye’s Bound 2 video, Rogen and Franco’s bromance humor is literally predicated on either mocking race, or disregarding it and appropriating it for the white cis male gaze (think about how none of Kanye’s messages about racism in Yeezus seem to make it into Rogen and Franco’s parody video, or how Franco’s uncool white rapper trope appropriates blackness in order to make it the butt of the joke).
4) Bromances enforce cis male dominance. Okay this one isn’t that hard to see. Bromances are literally predicated on worshipping traditional masculinity: muscles, boys clubs, getting girls, etc. In fact, ladies are baited with bromances a little like queers: bromances are used to show ladies that dudebros have feelings and can be tender and care about friendship and loyalty, while also showing how they’re strong and masculine — all in order to get the girl. Where ladies are concerned, bromances literally act to shore up patriarchy.
5) Bromances are about asserting privilege. Finally, as kind of a summation of some above points, bromances are all about straight white cis dudes injecting their (irrelevant) opinions about queerness and race into mainstream discourse. Bromances literally have the privilege of being more talked about in magazines and interviews than queer issues do. Bromances allow dudebros to literally prioritize their own viewpoints about oppressed groups and pass them off as comedy or satire.
In conclusion, bromances are literally built on racism and homophobia by mocking othered identities for humor.
EDIT: wow I didn’t even go into “no homo” here it could practically have its own post